![]() Heck, the show has even figured out how to play Danielle Savre’s freshly-promoted Maya as a hard-ass instead of hard-to-like her budding flirtation with Grey’s Carina is sure to further help in that regard. And the imminent demise of Andy’s father, the firehouse’s revered former captain, promises to be a three-Kleenex affair, especially if Andy learns beforehand that Pruitt called Ryan home to Seattle and his early grave. In their place are plots that blaze more intensely, like the thwarted attraction between Andy and Sullivan (which allows Jaina Lee Ortiz and Boris Kodjoe to set off smoke alarms every time their characters trade glances), and Jack’s ill-advised fling with his nemesis’ wife. Tepid storylines like the Jack/Andy/Ryan triangle are dead and buried (as is Ryan). That isn’t why I’m suddenly so hot for the series, though. At first I thought maybe I was just enjoying it more these days since, between Station 19 samplings, Grey’s had tricked me into getting to know and adore a couple of the spinoff’s first-responders: charisma machine Barrett Doss’ Vic (who’s done wonders for Jackson post-the Maggie debacle) and Okieriete Onaodowan’s Dean (who’s as lovable as a teddy bear with biceps the size of soccer balls). ![]()
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